Lenticular clouds over Mount Fuji, Japan. These are stationary lens-shaped clouds that form at high altitudes, usually perpendicular to the direction of the wind.
"I spent four years studying to get a degree in law, and I’ve spent almost as long trying to find a job. Here, unless you’re the family of someone in government, nobody will hire you. I sold my last cow, and now my money is almost completely gone. I’m getting evicted so I’ll have no choice but to go back to the village with my grandparents. At least we have farms there. After all this time in school, I’ve almost forgotten how to dig.”
Stairway to Heaven.
Left After Assad Bombing in Aleppo
“Fela Kuti Music is the Weapon” is a fascinating documentary about the Afrobeat legend, musician, composer, performer and occasional politician. The film mixes footage of Fela Anikulapo Kuti performing at his Shrine nightclub, interviews with the controversial musician, glimpses of life at his not-so-palatial Kalakuta Republic compound, and scenes of Lagos street life. Some voice-over narration gives basic information on Kuti’s musical career and Nigerian politics, but for the most part, the images are left to speak for themselves. Shot in color, it’s an important historical document capturing Kuti in stage and home environments that were most crucial to his life and work.
“Music is a weapon of the future / music is the weapon of the progressives / music is the weapon of the givers of life” Fela Kuti
HERE FOR THIS
young.black.educated.confident. i don’t see a thug here. at all.
Mario Balotelli is an Italian footballer who may soon become a Liverpool player. He has long been one of my favorite players, and I can’t help but think that the way his reputation in Europe is shaped by race. (Balotelli has been the victim of horrific racist chants throughout his career, but I also think institutional racism shapes media coverage and popular opinion, as pointed out here and elsewhere.)
Balotelli is certainly an unusual footballer: Once, while signing an autograph for a child, Balotelli learned the kid was being bullied, and then drove across town to confront the bully and discuss the matter with the school principal. And he is famed for his generosity, although this is often portrayed popularly as an inability to handle his money well.
He also has a reputation for volatility and immaturity, and is often criticized for getting in fights with teammates. He once threw a dart at a younger player. You hear a lot that Balotelli is crazy and/or lazy. You hear that he stays out late.
Now, I think some of Balotelli’s professional behavior has been poor, and I’m not here to defend it. But look at the way we treat white players:
Liverpool’s Robbie Fowler once PRETENDED TO SNORT THE WHITE POWDER OF THE TOUCH LINE after scoring a goal, in reference to his cocaine use.
Craig Bellamy drunkenly beat a teammate with a golf club.
Peter Beagrie once drunkenly stole someone’s motorbike and drove it through a hotel’s plate glass window.
Point being, in all the cases above (and many, many, many more) the offenses were seen as youthful indiscretions, or as hilarious examples of Boys being Boys.
Fowler is now a coach; Beagrie is now a well-respected commentator; and Bellamy is still playing. You rarely hear about his on- and off-field indiscretions, even though they’re probably more numerous than Balotelli’s. Meanwhile, Balotelli makes the news (and gets fined $200,000) for eating curry.
Those of you who follow football will begin to hear a lot about Balotelli if he returns to play in England. You will hear about how he cried after being substituted (although you might not hear that he cried because he had to sit on the bench while racist chants rang through the stadium). You will hear about how he is “wild” and “unpredictable” and “lazy.”
But watch him play. Watch how good and smart and creative he can be, how he can find paths to goal that make people call him lazy (they called Messi lazy, too, remember) when really he is just waiting, like the chess master who sees four moves ahead. Watch him off the ball, moving to reshape the opposition’s defense.
And then watch him score, turn around unsmiling, and lift his shirt to ask the immense and complicated question.
No matter how sad
In 1965, at Jackson, Mississippi, Matt Herron took an iconic and ironic image from the civil rights era as a white policeman rips an American flag away from a young black boy, having already confiscated his ‘No More Police Brutality’ sign. Herron remembers the events that surrounded that World Press Photo prize wining photos:
The picture was taken at the side entrance to the Governor’s mansion on Capital Street in Jackson in the summer of 1965. The boy is Anthony Quinn, aged 5. His mother, Mrs. Ailene Quinn of McComb, Mississippi and her children were trying to see Governor Paul Johnson; they wanted to protest aganist the election of five Congressmen from districts where blacks were not allowed to vote. Refused admittance, they sat on the steps. The policeman struggling with Anthony is Mississippi Highway Patrolman Hughie Kohler. As Kohler attempted to confiscate the flag, Mrs. Quinn said: ‘Anthony, don’t let that man take your flag.’ Kohler went berserk, yanking Anthony off his feet.
In the South during the civil rights movement, the American flag was a potent symbol of support for racial integration (and support for federal law). Southerners who believed in racial segregation displayed Confederate flags instead. People were pulled from their cars by policemen and beaten simply for displaying an American flag on their license plates. So the simple act of a small child carrying an American flag represented defiance of Mississippi law and custom.
Anthony and his mother were arrested and hauled off to jail, which was a cattle stockade at the county fairground, since the city jails were already full of protesters. The Quinn protest was organized by COFO (Council of Federated Organizations), an umbrella organization responsible for most civil rights activities in the state. Today Anthony lives in Florida. I believe he is a lawyer. His mother died recently, and when Patrolman Kohler died a number of years ago, his obituary in the Jackson Daily News referred to this photograph and mentioned how Kohler regretted that moment ‘for the rest of his life’.”
SOURCE: Iconic Photos / Famous, Infamous and Iconic Photos / Mississippi, Matt Herron http://iconicphotos.wordpress.com/2011/06/25/mississippi-matt-herron/
I won’t soon forget the events that took place in #ferguson…will you?
until the day of liberation